The Tomato Pyjama and Floppy Hat

A tomato pyjama.
A floppy hat.
An uninvited love story at the most exclusive photography gala in the world.
where winning wasn’t the point - but dancing under the table was.
Scene1: The Set Up
Summer. A metropolis, somewhere in this big world.
The event of the year: the biggest photography award on the planet. The kind of evening you don’t enter without an invitation sent two years in advance.
And after the awards are handed out, the champagne opened - the charity gala begins.
It’s a posh affair. The crème-de-la-crème.
This year theme? Modern art through photography. Smartphone photos are welcome for the first time in history of the event.
The gala? Oh yes, that one. The one with diamonds, luxury cars, glamorous dresses, and black ties. Where waitresses and waiters float silently between connoisseurs of pixels - the masters of evoking emotions through visual.
The press, the televisions crews, the influencers- they’re all holding their breath, waiting for the biggest moment:
Could a phone photo actually win? Could it beat the masters of expensive lenses, editing, and software?
Characters:
She- Nadnad. Passionate about photography. Shooting only with her smartphone. Never won anything, not because she’s not good, but because she never participated. She has feelings, not photos.
She sees a flower that looks like smiling, a cloud that looks like it’s crying- and captures them both. A little unconventional. A little strange her way of editing.
She’s convinced that if she wear her tomato pyjamas, she’ll win the biggest photography contest in the world.
And her abstract photo? The rain drop? Will be famous and every one will start loving the rain.
He- Dandan. A little eccentric. Passionate about words. He wears a floppy- eared winter hat because he believes it keeps inspiration inside his head.
He love ps Nadnad deeply. In his own way.
Together, they obviously have to attend the event.
Nadnad’s photo is one of the finalists.
The scene opened in their tiny flat. One bedroom. Just enough for two. But never quite big enough.
Scene 2: Just Enough for Two, but Never Enough
Their flat was a poetic disgrace. A single sock over the curtain rod. A mug with three tea bags having a quiet existential debate. A camera lens cap pretending to be a coaster. And in the middle of the room, Nadnad, in her finest cotton tomato Pyjama - a deep red riot and one questionable stain that might’ve been sauce or genius.
Dandan was crouched by the shoe rack, deciding wherever tonight required boots of rebellion or slippers of sarcasm. “Are you really wearing that?”, he asked, peeking up, one ear of his floppy hat dropping like it disapproved of confrontation.
She didn’t answer. Just sipped her coffee, looked through the window, and captured a photo of the sun trying to fit between two skyscrapers like it was sneaking into the gala too.
He sighed. “Fine. But if you get mistaken for the caterer, I’m pretending I don’t know you”.
Nadnad grinned. “You won’t. You’ll be the man next to the scandal. And they’ll all whisper… is that a hat or a metaphor?”
He stood, hat now proud, chest now puffed. “You’re damn right it’s a metaphor”.
They left the flat five minutes later. One wore defiance in red cotton. The other wore a sentence shaped like winter. Together, they hailed a cab and whispered the destination like they were confessing a crime:
“The Glasshouse. Gala side. We’re on the list”.
The driver didn’t flinch. “Of course you are”.
And as they drove past velvet ropes and flashbulbs ready to crown the expected, Nadnad looked at Dandan and said, “We’re not here to blend in”.
He smiled. “We’re here to in-focus the lens, and to dance”.
Scene 3: At the Entrance of the Golden Glass Entrance Door
“Who’s paying?”, asked the taxi driver.
Nadnad and Dandan pointing at each other in the same time:
“He”. / “She”.
“Card or cash”, the driver continued, momentarily hypnotized by the floppy ears from Dandan’s winter hat, now twitching nervously.
“Cash”, said Nadnad.
“Card”, said Dandan.
Eventually, the agree: one of them would wait outside, while the other handled the payment.
Now, both of them are standing in front of the gleaming Glass Palace - she in her cotton tomato pyjama, he with his floppy-eared hat. And after an encouragement look, they approached the main entrance.
”Hello”, said Nadnad, with absolute tomato-powered confidence. “The gala - which floor?”
“Which gala?”, replied the organizer, a man wrapping cables and armed with a clipboard. He gave them a once-over, squinting. “The food competition’s next week”. He chuckled. “Next!” Oh- good evening, Mr President of the Commission of Photography All Over the World. Please, do come in”.
“Wait”, Dandan interrupted. “We are on the list. Tomato pyjama - Nadnad, right here. She’s one of the finalists. Check again”.
“ I can’t let you in unless you prove- “ the organizer began, already turning his attention to the influencer behind them.
“Ooookey”, muttered Dandan, leaning toward Nadnad. “Told you to wear the walnuts one. Walnuts are for the brain. He’d have let us in by now”.
“You know what? Can we just use the back door? No one will notice us anyway”, said Nadnad, grabbing his hand. “Or maybe try hypnosis him - flop-flop your ears or something”.
They disappeared around the corner.
“I told you we’d get in”, she whispered, victorious.
And just like that, they were inside. In the middle of the kitchen.

Scene 4: Where the Michelin Stars Sizzle and Nobody Belongs
The kitchen was a battlefield dressed in stainless steel. Pans clanged, sauces hissed, and staff darted like caffeinated ballerinas. In the corner, a giant chocolate sculpture, a giant camera was melting slowly beside a freezer that hummed like it had secrets.
Dandan looked at Nadnad. “We either run or improvise”.
Nadnad blinked. “We never run”.
She reached for a tray - someone’s discarded appetizer spread: seaweed crisp, micro foam, a rogue radish slice shaped like a question mark. She straightened her tomato Pyjama top, fluffed her sleeves like couture, and whispered, “Follow me. Act like we belong “.
He nodded. Adjusted his hat. Tugged the left ear - the secret signal of all floppy-hatted emergency.
And then, they glided.
Out of the kitchen. Through the swing doors. Into the blur of chandeliers and champagne and conversations about light metering and monochrome sadness. They passed a woman with a camera lens around her neck the size of a trumpet. A man discussing contrasts as if it were currency.
Nobody stopped them.
Because nobody stops confidence wrapped in performance.
Nadnad offered the radish tray to a passing guests. “Hors d’oeuvre?”
The guest took one, chewed thoroughly. “Mmmm. Abstract”.
Dandan, meanwhile, slipped through the crowd like punctuation in a badly written sentence. And then he saw it - the wall of finalist photos, guided with spotlights and pretension. But there, there, right in the center-

A photo of a single raindrop, clinging to a window, with a bluer shape and pale shades. “Modern or unreal”, he thought.
He tapped Nadnad. “You didn’t tell me you entered that one”.
“I didn’t. It was taken by the waiter that night. When we danced”.
“They choose us?”
“No, baby”, she said, “they choose that. But we’re still here”.
And with that, she plucked two flutes of champagne from a tray, handed one to Dandan, raised hers high and whispered, “To all the gate-crushers who made it into frame”.
Scene 5: Smart Conversation
After, they thought that blending in is the wisest thing to do.
They approached the first group. This one was gathered around a simple image: a single vertical line drawn on a white paper. The conversation? Loud, layers, and very serious.
They were discussing the timeline, the metaphysics of the linear, the visionary interpretation of a plan, or perhaps symbolic echo of the letter I.
Everyone has an opinion. Everyone had something to say about what was, undeniable, a line.
Dandan cleared his throat. The left ear at his floppy hat twitched.
“Hmmm. Interesting”, he said. “But… what if the real meaning is the paper, not the line?”
And they both turn the backs, and walked away giggling.
”Well done, Dandan, they deserved that”, Nadnad whispered with a grin, watching the group now burdened with more questions they wanted.
They moved on. Another photo. Another cluster of critiques.
This one? An underwater scene- tropical fish, perfect light, impossible timing. The kind of image that gets published, printed, framed.
“Perfect!”, one of the participants beamed. “Nothing more to say. Technically flawless”.
Nadnad,in her tomato pyjama and holding her champagne like a queen with nothing to loose, titled her head and asked sweetly: “Did anyone get the fishes’ consent before taking this photo? Were they okey during the photoshoot session?”
Silence.
She took Dandan’s hand and walked away, just as proud as if she’d won.
Then finally, the announcement began.
The President of the Commission of Photography All Over the World stepped on stage. So everyone knew now that the winner ceremony was about to begin.
Scene 6: The Announcement & the Under-Table Waltz
The lights dimmed. A hush spread like honey on toast - slow and sticky. All eyes turned to the crystal stage where the President of the Commission of Photography All Over the World tapped the microphone three times. Two too many.
He cleared his throat with theatrical precision.
“And now… the moment we’ve all been waiting for”.
Dandan leaned closer to Nadnad. “What if it’s you?”
She whispered, “What if it’s not?”
The President continued, “The winner of this year’s Grand Photography Prize - an award celebrating not just technique, but soul, perspective, and… something I can’t pronounce- is…”
The screen behind him began to flicker. The slideshow paused. A blurry thumbnail popped up.
The raindrop photo.
Audience gasped. Some clutched pearls. One woman fainted into a canapé tray.
The President squirted. “Uh… this wasn’t… the scheduled image “.
Dandan whispered, “The waiter again?”
But before the image could be replaced, the crowd erupted in scattered applause. Murmurs of “haunting”, “raw”, “emotional”, “the floppy hat” floated like perfume through the air.
The President, caught in the swell of approval, adjusted his speech. “Yes! Our winner tonight- photographer of ‘Raindrop with Ghosts of Love’ - whoever you are, please come to the stage!”
Nadnad froze. Dandan squeezed her hand. They both knew.
She stepped forward-
And stopped.
“I think”, she said softly, “I’d rather dance”.
She turn away from the spotlight and pulled Dandan down, under the long white table dressed with lace and judgement. The music for the gala has started. A slow jazz tune, the kind that always forgets its own name.
There, beneath the linen where shadows softened and heels danced overhead, Nadnad and Dandan held each other and moved gently.
Floppy hat brushing her forehead. Tomato Pyjama rustling against his chest. The world above clinked toasted.
Below, live moved without choreography.
No prize. No speech. No photo.
Just them. Just enough.
Scene 7: A Good Night Scene
And so, with the prize in her hand and his hand holding the other, they stepped into the street to catch a taxi back home.
They spotted one and waved.
“Not again…”, the driver sighed as he pulled over.
“Don’t worry, this time he’s paying “, Nadnad smiled, planting a kiss on Dandan’s cheek.
Back in their tiny flat, the tomato Pyjama were curled over the arm of the chair, and the floppy hat hung from the corner of the lamp - still slightly tilted, as if winking.
They didn’t say much.
Just reheat the garlic bread that came free with the pizza two days ago, and sat on the floor - because the sofa was full of unfolded laundry and half-finished poems.
She took a bite and mumbled, “Still tastes like winning “.
He smiled, dropped the award on the bookshelf, right between “How to bake without knowing anything “ and “Maps of places that don’t exist “.
Then he looked at her.
“You know… I’d have danced with you even if you haven’t won”.
She kissed him.
“And I’d have lost, if you weren’t there”.
The night stretched like a summer day, slow and warm. Somewhere outside, the city remembered how to be quiet.
And in the stillness, two souls - not perfectly dressed, not perfectly planned - cured up on the floor, tangled in laughter, limbs, and leftover pizza crusts.
No cameras. No edits. No need.
Just love, wearing tomato pyjamas and floppy dreams.